| TrueFresco Art E-zine |
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April 2004 |
Front Page |
Continue reading "Governors Ball Decor - reflecting fresco experience. . |
| Fresco School |
May 13th, Fri. - 17th, Mon These courses consist of up to five days of intensive instruction where you will learn how to create true (buon) fresco as artists have done for centuries. At the end of June we are scheduled to go to the Fauxcadamy Awards in Las Vegas to hold a "Fresco Painting - Contemporary Tradition" demonstration, seminar/lecture. Soon after the conclusion of these events we will begin a large scale fresco project in a church in Baltimore. These events will unfortunately keep our regular workshops schedule unclear for the rest of the summer and fall. Unfortunately, we will be able to enroll only 20 people for this set of classes - it is our policy to deliver the maximum undivided attention to each by keeping our workshops within 5-7 artists per class.
Workshop configurations consist of 1 to 5 day classes: |
| Articles (Submit Article) |
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Teaching Fresco |
![]() iLia Anossov believes that most efficient way to introduce artists to a new and complicated medium such as Fresco as well as explain and demonstrate techniques of the Masters is to allow students to work from the images of their own selection. Images and styles that each student feel comfortable with and had painted in other mediums. During the workshop Mr. Anossov is working individually with each student. His guidance and advice are targeted specifically to the individual student and his/her personal style. With this approach each student has an opportunity to learn the techniques of the Great Masters within the comfort of their own style and/or their own selection of the image. Continue reading "Teaching Fresco" |
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Fresco Painting - Contemporary Tradition |
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| Art Vignette Showcase (Submit Art Vignette) |
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Sotirios Panailidis - Iconographer |
The knowledge of tradition as well as of the techniques of the great masters of iconography in the past, constitute for me the basis and the motive to further personal progress. In the beginning of our century, the return to Byzantine art was of great interest. Today our feelings are those of indifference and apathy. I should say that contemporary Byzantine art is at risk of losing its admirers not only among educated artists but also among people of the church. Continue reading "Sotirios Panailidis - Iconographer" Make sure you visit this artist's personal website - it is the work of art on it's own! |
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| Coming in May |
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This Spring and Summer our classes in Los Angeles Will be held at the following dates:



