The Complete Recordings |  | Artist: Moriz Rosenthal
Creators: Moriz Rosenthal, None
Label: APPIAN ( APR )
Category: Music
List Price: $49.98
Buy New: $32.04
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New (16) Used (3) from $32.04
Seller: Zoverstocks
Sales Rank: 86,770
Format: Import
Language: English (Unknown)
Media: Audio CD
Discs: 5
Shipping Weight (lbs): 0.4
Dimensions (in): 5.2 x 5.1 x 0.6
EAN: 5024709175031
ASIN: B006ICUJ8M
Release Date: February 14, 2012
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Fantasy for piano (on Johann Strauss II's 'An der shönen blauen Donau,' 'Die Fledermaus' & 'Freut euch des Lebens') | | • | Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213 | | • | Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92 | | • | Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56) | | • | Prelude for piano No. 6 in B minor, Op. 28/6, CT. 171 | | • | Prelude for piano No. 11 in B major, Op. 28/11, CT. 176 | | • | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 | | • | Prelude for piano No. 23 in F major, Op. 28/23, CT. 188 | | • | Prelude for piano No. 6 in B minor, Op. 28/6, CT. 171 | | • | Prelude for piano No. 11 in B major, Op. 28/11, CT. 176 | | • | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 | | • | Prelude for piano No. 23 in F major, Op. 28/23, CT. 188 | | • | Mazurka for piano No. 41 in C sharp minor, Op. 63/3, CT. 91 | | • | Mazurka for piano No. 16 in A flat major, Op. 24/3, CT. 66 | | • | Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92 | | • | Mazurka for piano No. 41 in C sharp minor, Op. 63/3, CT. 91 | | • | Mazurka for piano No. 16 in A flat major, Op. 24/3, CT. 66 | | • | Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92 | | • | Waltz for piano No. 5 in A flat major, Op. 42, CT. 211 | | • | Waltz for piano No. 5 in A flat major, Op. 42, CT. 211 | | • | The Maiden's Wish, transcription for piano (after Chopin, Op. 71/1, Chants polonais No. 1), S. 480/1 (LW A193/1) | | • | The Maiden's Wish, transcription for piano (after Chopin, Op. 71/1, Chants polonais No. 1), S. 480/1 (LW A193/1) | | • | Etude for piano No. 26 in A flat major (Nouvelles études No. 2), KK IIb/3, CT. 39 (B. 130/2 ) | | • | Etude for piano No. 1 in C major, Op. 10/1, CT. 14 | | • | Prelude for piano No. 6 in B minor, Op. 28/6, CT. 171 | | • | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 | | • | Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 | | • | Prelude for piano No. 6 in B minor, Op. 28/6, CT. 171 | | • | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 | | • | Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 | | • | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 | | • | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 |
Disc 2
| • | Meine Freuden, transcription for piano (after Chopin, Op. 74/12, Chants polonais No. 5), S. 480/5, (LW A193/5) | | • | Mazurka for piano No. 17 in B flat minor, Op. 24/4, CT. 67 | | • | Berceuse for piano in D flat major, Op. 57, CT. 7 | | • | Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213 | | • | Prelude for piano No. 20 in C minor, Op. 28/20, CT. 185 | | • | Prelude for piano No. 1 in C major, Op. 28/1, CT. 166 | | • | Prelude for piano No. 3 in G major, Op. 28/3, CT. 168 | | • | Prelude for piano No. 19 in E flat major, Op. 28/19, CT. 184 | | • | Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213 | | • | Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56) | | • | Les Papillons for piano | | • | Mazurka for piano No. 41 in C sharp minor, Op. 63/3, CT. 91 | | • | Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 | | • | Mazurka for piano No. 41 in C sharp minor, Op. 63/3, CT. 91 | | • | Mazurka for piano No. 41 in C sharp minor, Op. 63/3, CT. 91 | | • | Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 | | • | Etude for piano No. 1 in C major, Op. 10/1, CT. 14 | | • | Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92 | | • | Reflets dans l'eau, for piano, L. 110/1 | | • | Reflets dans l'eau, for piano, L. 110/1 | | • | Iberia Suite for piano, B. 47, Book 2: Triana | | • | Musical Snuffbox, for piano (or orchestra), Op. 32 | | • | Preludes (4), for piano, Op. 46: No. 1 in B flat major | | • | Carnaval de Vienne, Humoresque on themes of Johann Strauss II, for piano | | • | Fantasy for piano (on Johann Strauss II's 'An der shönen blauen Donau,' 'Die Fledermaus' & 'Freut euch des Lebens') |
Disc 3
| • | Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Allegro maestoso | | • | Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Romanza: Larghetto | | • | Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Rondo: Vivace | | • | Hungarian Rhapsody, for piano No. 2 (the 'original' No. 2) in C sharp minor (I & II), S. 244/2 (LW A132/2) | | • | Liebesträume, notturno for piano No. 3 in A flat major ('O Lieb, so lang du lieben kannst'), S. 541/3 (LW A103/3) | | • | Berceuse for piano in D flat major, Op. 57, CT. 7 | | • | New Carnaval de Vienne, for piano | | • | The Maiden's Wish, transcription for piano (after Chopin, Op. 71/1, Chants polonais No. 1), S. 480/1 (LW A193/1) | | • | Waltz for piano No. 5 in A flat major, Op. 42, CT. 211 | | • | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 | | • | Etude for piano No. 14 in F minor, Op. 25/2, CT. 27 | | • | Etude for piano No. 26 in A flat major (Nouvelles études No. 2), KK IIb/3, CT. 39 (B. 130/2 ) | | • | Mazurka for piano No. 31 in A flat major, Op. 50/2, CT. 81 | | • | Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 |
Disc 4
| • | Waltz for piano No. 5 in A flat major, Op. 42, CT. 211 | | • | Prelude for piano No. 6 in B minor, Op. 28/6, CT. 171 | | • | Prelude for piano No. 3 in G major, Op. 28/3, CT. 168 | | • | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 | | • | Mazurka for piano No. 31 in A flat major, Op. 50/2, CT. 81 | | • | Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92 | | • | Mazurka for piano No. 25 in B minor, Op. 33/4, CT. 75 | | • | Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213 | | • | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 | | • | Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115 | | • | The Maiden's Wish, transcription for piano (after Chopin, Op. 71/1, Chants polonais No. 1), S. 480/1 (LW A193/1) | | • | Mazurka for piano No. 31 in A flat major, Op. 50/2, CT. 81 | | • | Mazurka for piano No. 23 in D major, Op. 33/2, CT. 73 | | • | Mazurka for piano No. 39 in B major, Op. 63/1, CT. 89 | | • | Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92 | | • | Mazurka for piano No. 16 in A flat major, Op. 24/3, CT. 66 | | • | Prelude for piano No. 13 in F sharp major, Op. 28/13, CT. 178 | | • | Moment musical for piano in F minor ('Air russe'), D. 780/3 (Op. 94/3) | | • | Soirées de Vienne, valse caprice for piano No. 6 (I; after Schubert D. 969 & 779) S. 427/6 (LW A131/6) | | • | Les Papillons for piano | | • | New Carnaval de Vienne, for piano |
Disc 5
| • | Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ('The Harmonious Blacksmith'), HWV 430: Air & Variations in E | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Allegro maestoso | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Scherzo: Molto vivace | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Largo | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Finale: Presto non tanto | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Scherzo: Molto vivace | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Finale: Presto non tanto | | • | Meine Freuden, transcription for piano (after Chopin, Op. 74/12, Chants polonais No. 5), S. 480/5, (LW A193/5) | | • | Tarantelle for piano in A flat major, Op. 43, CT. 205 | | • | Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Largo (incomplete) | | • | Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Romanza: Larghetto | | • | Carnaval de Vienne, Humoresque on themes of Johann Strauss II, for piano |
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Album Description
Moriz Rosenthal was also one of the more important Liszt pupils, therefore his legacy is of the utmost importance as representative of 19th-century style. He was renowned as one of the supreme technicians and, although he began to record only in old age, this can still be heard in his own two Strauss paraphrases recorded here. However, it is for his Chopin above all that Rosenthal should be remembered.
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