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Pink Floyd: The Wall (25th Anniversary Deluxe Edition)

Pink Floyd: The Wall (25th Anniversary Deluxe Edition)Artists: Bob Geldof, Christine Hargreaves, James Laurenson, Eleanor David, Kevin McKeon
Label: Sony
Category: DVD

List Price: $17.98
Buy New: $12.67
as of 6/3/2012 22:17 EDT details
You Save: $5.31 (30%)

In Stock


New (40) Used (16) Collectible (1) from $10.04

Seller: -importcds
Sales Rank: 1,024

Format: AC-3, Color, Dolby, DVD, Widescreen, NTSC
Languages: English (Unknown), English (Original Language)
Rating: R (Restricted)
Region: 1
Discs: 1
Running Time: 95 Minutes
Shipping Weight (lbs): 1.2
Dimensions (in): 7.3 x 5.5 x 0.4

MPN: SMVD58163D
ISBN: 0738904902
UPC: 074645816395
EAN: 9780738904900
ASIN: B0006ZE7G2

Release Date: January 25, 2005
Availability: Usually ships in 1-2 business days



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Editorial Reviews:

Product Description
Driven to the edge, a burned-out rock star recalls the often traumatic events that shaped his life.

Amazon.com
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed.

The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon


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