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The Lord of the Rings: The Return of the King

The Lord of the Rings: The Return of the King

Other Views:
Artists: Howard Shore, Annie Lennox
Label: Reprise / Wea
Category: Music

List Price: $13.98
Buy New: $4.14
as of 6/3/2012 22:02 EDT details
You Save: $9.84 (70%)

In Stock


New (47) Used (49) Collectible (8) from $2.00

Seller: MovieMars
Sales Rank: 1,165

Format: Enhanced, Soundtrack
Language: English (Original Language)
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.9 x 0.4

MPN: 4 3 00048521
UPC: 093624852124
EAN: 0093624852124
ASIN: B0000DZEA1

Release Date: November 25, 2003
Availability: Usually ships in 1-2 business days



Features:
  • SOUNDTRACK EL SEÃ'OR DE LOS ANILLOS 3: THE RETURN OF

Tracks:

  • A Storm Is Coming
  • Hope And Memory
  • Minas Tirith
  • The White Tree
  • The Steward Of Gondor
  • Minas Morgul
  • The Ride of the Rohirrim
  • Twilight And Shadow
  • Cirith Ungol
  • Anduril
  • Shelob's Lair
  • Ash And Smoke
  • The Fields Of The Pelennor
  • Hope Fails
  • The Black Gate Opens
  • The End Of All Things
  • The Return Of The King
  • The Grey Havens
  • Into The West

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Editorial Reviews:

Album Description
The regular jewel-case version will contain one of seven collectors’ cards.

Amazon.com
This final chapter of Peter Jackson's sprawling adaptation of Tolkien's "Ring" trilogy closes out one of the most accomplished cycles in cinema--and film music--history. As he's done for the saga's first two installments, composer Howard Shore has honed a mature, brooding orchestral masterpiece that's long on subtle shadings of mood and nuance, while eschewing the hollow bombast that's characterized all too many mainstream action and adventure films for three decades. If anything, he's pared this chapter of his music for Middle Earth even closer to the bone, the trilogy's familiar themes repeated with a sparing hand that only heightens their dramatic power. Like Herrmann before him, Shore has a preternatural understanding of orchestral timbres and their almost mystical connections with human emotions, and he's used it here to close out this remarkable trilogy with Wagnerian dramatic sweep, yet one with a distinctly modern, understated melodic sense that is Shore's alone. James Galway and Renee Fleming make key instrumental and vocal contributions, respectively, while Annie Lennox's soulful "Into the West" makes the expected, if unobtrusive, bow to the theatrical pop song conventions. --Jerry McCulley


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