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Ramón Vargas - L'amour, l'amour / Viotti

Ramón Vargas - L'amour, l'amour / Viotti

Other Views:
Artists: Jules Massenet, Giuseppe Verdi, Munich Radio Symphony Orchestra, Pyotr Il'yich Tchaikovsky, Gaetano Donizetti, Giacomo Puccini, Marcello Viotti, Ramón Vargas, Charles Gounod
Label: Sony Classics
Category: Music

Buy New: $8.99
as of 6/4/2012 14:47 EDT details

In Stock


New (3) Used (20) from $3.98

Seller: familyofgold
Sales Rank: 320,856

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

UPC: 074321614642
EAN: 0743216146420
ASIN: B00000K4H4

Release Date: September 14, 1999
Availability: Usually ships in 1-2 business days



Tracks:

  • Romeo Et Juliette: Ah! Leve-Toi, Soleil (Gounod)
  • Manon: En Fermant Les Yeux "Dream of des Grieux" (Massenet)
  • Werther: Pourquoi Me Reveiller? (Massenet)
  • Il Duca D'Alba: Angelo Casto E Bel (Donizetti)
  • Lucia Di Lammermoor: Fra Poco A Me Ricovero (Donizetti)
  • La Favorita: Spirto Gentil (Donizetti)
  • L'Elisir D'Amore: Una Furtiva Lagrima (Donizetti)
  • Roberto Devereux: Ed Ancor La Tremenda Porta (Donizetti)
  • Eugene Onegin, Op.24: Lensky's Aria (Tchaikovsky)
  • Rigoletto: Parmi Veder Le Lagrime (Verdi)
  • Rigoletto: La Donna E Mobile (Verdi)
  • Un Ballo In Maschera: Ma Se M'E Forza Perderti (Verdi)
  • La Boheme: Che Gelida Manina (Puccini)

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Editorial Reviews:

Amazon.com
Mexican tenor Ramón Vargas is in the midst of a fine international career, where he is in demand for and concentrates on the purely lyric tenor repertoire. His smallish, well-focused voice is attractive and distinguished, his top notes free and easy, and his ability in coloratura admirable, making him particularly valuable in the operas of Rossini. He is also an intelligent musician and has a natural feel for a melodic line. On this CD, he tackles the occasional aria that is a bit too heavy for him, i.e., Rodolfo's aria from La Bohème, an excerpt from Verdi's Un Ballo in Maschera, and Lensky's aria from Eugen Onegin, but on disc, at least, he finds no need to force, and the results are good. In general, he's ardent without being overly sentimental, and except for a vaguely desperate sounding high D flat(!) (as at the end of the fine scene from Donizetti's Roberto Devereux), he keeps the tone lovely. And his selection of arias here contains enough rarities among the chestnuts to make this CD particularly valuable. If you haven't heard Vargas, you should. --Robert Levine


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