| The Slim Shady LP |  | Artist: Eminem
Label: Aftermath
Category: Music
Buy New: $199.98
as of 6/4/2012 14:43 EDT details
New (1) Used (3) from $59.97
Seller: Forever Young Records
Sales Rank: 132,268
Format: Explicit Lyrics
Media: Vinyl
Discs: 2
Shipping Weight (lbs): 0.7
Dimensions (in): 12.1 x 12.1 x 0.3
UPC: 606949028718
EAN: 0606949028718
ASIN: B00000ICXV
Publication Date: 1999
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Public Service Announcement | | • | My Name Is | | • | Guilty Conscience | | • | Brain Damage | | • | Paul | | • | If I Had | | • | 97' Bonnie & Clyde | | • | Bitch | | • | Role Model | | • | Lounge | | • | My Fault | | • | Ken Kaniff | | • | Cum On Everybody | | • | Rock Bottom | | • | Just Don't Give A Fuck | | • | Soap | | • | As The World Turns | | • | I'm Shady | | • | Bad Meets Evil | | • | Still Don't Give A Fuck |
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| Editorial Reviews:
Album Description
French reissue of the 1999 debut album with a limited edition bonus CD featuring three rare audio tracks, 'Hazardous Youth' (Acapella Version), 'Sway & King Tech' (feat. DJ Revolution w/Eminem 'Get You Mad'), 'Greg' (Acapella Version) and the CD-ROM videos for 'Role Model', 'My Name Is' and live and studio footage. Slimline double jewel case. 1999 release.
Amazon.com
On The Slim Shady LP, Eminem wants it all. He's conflicted, you see; the world has treated him badly, and he wants to respond in kind. But he isn't a straight-up gangsta--this is, after all, the first release on Dr. Dre's Aftermath Records, his post-Death Row-era venture--and Eminem (born Marshall Mathers) doesn't really want anyone to follow in his footsteps, which leads to some interesting contradictions on this album. In the first single, "My Name Is," he's self-deprecating, rapping about his poor upbringing and his hairy palms. But on the very next song, "Guilty Conscience," he plays the devil to Dr. Dre's angel--that is, until Eminem brings up an incident from Dre's devilish past, rapping, "You gonna take advice from someone who slapped Dee Barnes?" Later, on "'97 Bonnie & Clyde," he turns Will Smith's "Just the Two of Us" on its ear, making it a tale of murder; but on "My Fault," he actually feels bad--though whether it's for the girl he overdosed or for himself is tough to figure out. With his nasal Midwestern tone, Mathers has a clean, clear flow, and the production--by Dr. Dre, Marky, and Jeff Bass--is crisp but consistently fun. With his outlook, it's tough to take Eminem too seriously, but he's made an album you don't have to take seriously to enjoy. --Randy Silver
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