| The Agony and the Ecstasy |  | Director: Carol Reed
Actors: Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews, Alberto Lupo
Studio: 20th Century Fox
Category: DVD
List Price: $9.98
Buy New: $4.03
as of 5/27/2012 18:23 EDT details
You Save: $5.95 (60%)
New (42) Used (27) from $3.48
Seller: MovieMars
Sales Rank: 3,910
Format: Closed-captioned, Color, NTSC, Widescreen
Languages: English (Unknown), English (Subtitled), Spanish (Subtitled), English (Original Language), Latin (Original Language)
Rating: NR (Not Rated)
Region: 1
Discs: 1
Aspect Ratio: 2.20:1
Running Time: 138 Minutes
Shipping Weight (lbs): 1
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: FOXD2224834D
UPC: 024543148333
EAN: 0024543148333
ASIN: B0006GANX2
Release Date: February 22, 2005
Availability: Usually ships in 1-2 business days
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Description
Charlton Heston and Rex Harrison portray two of the Renaissance's most colorful figures in this historical drama based on Irving Stone's best-seller set in the early 16th century. When Pope Julius ll (Harrison) commissions Michelangelo (Heston) to paint the ceiling of the Sistine Chapel, the artist initially refuses. Virtually forced to do the job by Julius, he later destroys his own work and flees to Rome. Eventually resumed, the project becomes a battle of wills fueled by artistic and temperamental differences that form the core of this movie. Nominated for an Oscar® Cinematography and named one of the year's best films by the National Board of Review.
Amazon.com essential video
Carol Reed (The Third Man) directed this 1965 portrait of the relationship between Michelangelo (Charlton Heston) and Pope Julius II (Rex Harrison), who commissioned the artist to paint the Sistine Chapel ceiling. Based on a novel by Irving Stone, the script plods along, juggling the dynamics between the two men along with a somewhat perfunctory love story and distracting battle sequences. Reed seems more attuned to the nuances and great pains of the artistic process, as seen in sequences of Michelangelo working. But the overall focus of the film is unfortunately fuzzy. --Tom Keogh
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