Editorial Reviews:
Product Description
In an American story of enduring importance, Jimmy Carter recreates his depression-era boyhood on a Georgia farm, before the civil rights movement that changed it and the country. Carter describes his childhood and the five people who shaped his early life; his friends who he worked the farm with and played slingshot with, but who could not attend the same school as himself. There are portraits of his father, a farmer and strict segregationist who treated black workers with his own brand of "seperate" respect and fairness, and of his mother, a strong-willed nurse who cared for all in need.
Amazon.com Review
Born on October 1, 1924, Jimmy Carter grew up on a Georgia farm during the Great Depression. In An Hour Before Daylight, the former president tells the story of his rural boyhood, and paints a sensitive portrait of America before the civil rights movement. Carter describes--in glorious, if sometimes gory, detail--growing up on a farm where everything was done by either hand or mule: plowing fields, "mopping" cotton to kill pests, cutting sugar cane, shaking peanuts, or processing pork. He also describes the joys of walking barefoot ("this habit alone helped to create a sense of intimacy with the earth"), taking naps with his father on the porch after lunch, and hunting with slingshots and boomerangs with his playmates--all of whom were black. Carter was in constant contact with his black neighbors; he worked alongside them, ate in their homes, and often spent the night in the home of Rachel and Jack Clark, "on a pallet on the floor stuffed with corn shucks," when his parents were away. However, this intimacy was possible only on the farm. When young Jimmy and his best friend, A.D. Davis, went to town to see a movie, they waited for the train together, paid their 15 cents, and then separated into "white" and "colored" compartments. Once in Americus, they walked to the theater together, but separated again, with Jimmy buying a seat on the main floor or first balcony at the front door, and A.D. going around to the back door to buy his seat up in the upper balcony. After the movie, they returned home on another segregated train. "I don't remember ever questioning the mandatory racial separation, which we accepted like breathing or waking up in Archery every morning." In this warm, almost sepia-toned narrative, Carter describes his relationships with his parents and with the five people--only two of whom were white--who most affected his early life. Best of all, however, Carter presents his sweetly nostalgic recollections of a lost America. --Sunny Delaney
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