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Claude Monet, 1840-1926 (Taschen Art Album)

Claude Monet, 1840-1926 (Taschen Art Album)Author: Christoph Heinrich
Publisher: Taschen
Category: Book

List Price: $9.99
Buy New: $4.23
as of 5/27/2012 13:36 EDT details
You Save: $5.76 (58%)

In Stock


New (41) Used (48) Collectible (1) from $0.06

Seller: BeThereBooks
Sales Rank: 120,061

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: Revised
Pages: 96
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 9 x 7.4 x 0.3

ISBN: 3822859729
EAN: 9783822859728
ASIN: 3822859729

Publication Date: May 29, 2000
Availability: Usually ships in 1-2 business days



Also Available In:

  • Paperback - Claude Monet: 1840-1926 (Thunder Bay Artists)
  • Hardcover - Monet
  • Hardcover - Monet (25)
  • Paperback - Monet (Basic Art)
  • Hardcover - Claude Monet, 1840-1926
  • Hardcover - Claude Monet, 1840-1926

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Product Description
Claude Monet (1840-1926) was the most typical and the most individual Impressionist painter. His long life he dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offer the human eye. But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader. In his endeavor to capture the ever-changing face of reality, Monet went beyond Impressionism and thereby beyond the confines of self-contained panel painting: in Giverny he painted the Poplars, Grain Stacks and Rouen Cathedral series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water-lily pond which he was to paint on huge canvases well into the 1920s. He thereby sought to render not reality as objectively experienced, but rather that which takes place "between the motif and the artist". In their open, merely tenuously representational structure and impressive scale, his water lily paintings - created long before the currents of the contemporary avant-garde - point the way to the developments of the future.


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