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The Hollywood Economist 2.0: The Hidden Financial Reality Behind the Movies

The Hollywood Economist 2.0: The Hidden Financial Reality Behind the MoviesAuthor: Edward Jay Epstein
Publisher: Melville House
Category: Book

List Price: $17.95
Buy New: $9.69
as of 5/27/2012 13:45 EDT details
You Save: $8.26 (46%)

In Stock


New (46) Used (15) from $8.24

Seller: tranceworks
Sales Rank: 106,260

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: Reprint
Pages: 240
Number Of Items: 1
Shipping Weight (lbs): 0.5
Dimensions (in): 5.4 x 0.6 x 7.9

ISBN: 1612190502
EAN: 9781612190501
ASIN: 1612190502

Publication Date: January 24, 2012
Availability: Usually ships in 1-2 business days



Also Available In:

  • Kindle Edition - The Hollywood Economist 2.0: The Hidden Financial Reality Behind the Movies
  • Unknown Binding - The Hollywood Economist 2.0: The Hidden Financial Reality Behind the Movies [Paperback]
  • Paperback - The Hollywood Economist 2.0: The Hidden Financial Reality Behind the Movies

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Product Description
A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trends

In a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood’s “invisible money machine,” probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money?

In this, a revised and updated edition The Hollywood Economist, we learn:

+ The future of Netflix: Why the “next big thing” now seems in such deep trouble...

+ What it costs to insure Nicole Kidman’s right knee…

+ How Hollywood manipulates Wall Street, including the story of the acquisition of MGM… wherein a consortium of banks and hedge funds lost some $5 billion… while Hollywood made millions.

+ Why Arnold Schwarzenegger is considered a contract genius…

+ The fate of serious fare: How HBO, AMC, and Showtime have found ways to make money offer adult drama, while the Hollywood studios prefer to cater to teen audiences.



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