| Indian Art |  | Author: Vidya Dehejia Publisher: Phaidon Press Category: Book
List Price: $29.95 Buy New: $15.00 as of 5/26/2012 23:15 EDT details You Save: $14.95 (50%)
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Seller: 13fallenstars Sales Rank: 200,053
Languages: English (Unknown), English (Original Language), English (Published) Media: Paperback Pages: 448 Number Of Items: 1 Shipping Weight (lbs): 2 Dimensions (in): 8.6 x 6.4 x 1.1
ISBN: 0714834963 EAN: 9780714834962 ASIN: 0714834963
Publication Date: December 17, 1997 Availability: Usually ships in 1-2 business days
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Product Description This text looks at the role of art in the Indian subcontinent and then analyzes early art from the Indus civilization (2000 BC) to the time of Buddha (c.5000 BC). The Mauryan emperor Ashoka (4th century BC), was an important player in the dissemination of Buddhism, using art to this end. A stable economic base and the rise of a mercantile community were important in Buddhism's growth. Inscriptions show that the contributions to pay for art came from housewives, householders, merchants, traders and a range of other "common" people. The vibrant narrative tradition displayed in this art is analyzed. The text goes on to examine the development of the Buddha image and the art of later esoteric Buddhism; the Islamic aesthetic; the art of the Mughal empire; the art and architecture of Rajasthan; and British imperial art and architecture.
Amazon.com Review This book is a worthy addition to Phaidon's excellent Art and Ideas series, which provides overviews of the major art traditions of the world. India is vast (the size of Europe); the birthplace of great religions, including Hinduism, Buddhism, and Jainism; and the home of sophisticated civilizations dating back more than 4,000 years. These factors combine to give India one of the longest and most complex art traditions of the world--and one of the hardest to make accessible to the general reader. Vidya Dehejia, curator of Indian art at the Smithsonian Institution, is up to the task. She sets the scene with an invaluable chapter explaining ancient Indian theories of art and aesthetics, including the responsibilities of the viewer. Most important is the realization that "the consistent fabric of Indian life was never rent by the Western dichotomy between religious belief and worldly practice"--hence the easy coexistence in India of extreme religious asceticism and the overt eroticism that pervades temples like Khajuraho and Patan. The book proceeds in a grand sweep, from the ancient cities of the Indus valley, the development of Buddhist art (which by the 12th century had faded away in the land of its birth), the glorious paintings of Ajanta, the luxury of Mughal art and architecture, art of the British Raj, to today's artistic ferment. Clear and well-written, with nearly 300 well-chosen color illustrations, this is an extremely useful introduction to India's vast artistic wealth. --John Stevenson
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