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Tiepolo Pink

Tiepolo PinkAuthor: Roberto Calasso
Creator: Alastair McEwen
Publisher: Knopf
Category: Book

List Price: $29.95
Buy New: $17.99
as of 5/26/2012 15:22 EDT details
You Save: $11.96 (40%)

In Stock


New (23) Used (9) from $12.99

Seller: pbshopus
Sales Rank: 415,144

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: Reprint
Pages: 320
Number Of Items: 1
Shipping Weight (lbs): 1.1
Dimensions (in): 8.1 x 5.7 x 1.1

ISBN: 0375712089
EAN: 9780375712081
ASIN: 0375712089

Publication Date: September 6, 2011
Availability: Usually ships in 1-2 business days



Also Available In:

  • Hardcover - Tiepolo Pink
  • Paperback - Tiepolo Pink
  • Hardcover - Tiepolo Pink
  • Kindle Edition - Tiepolo Pink
  • Unknown Binding - Tiepolo Pink [Hardcover]

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Product Description
The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Würzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him—but though his contemporaries appreciated and admired him, they failed to understand him.
Few have even attempted to tackle Tiepolo’s series of thirty-three bizarre and haunting etchings, the Capricci and the Scherzi, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo’s art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy—a motley company always on the go.
Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue of sprezzatura, the art of not seeming artful.



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