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Painting in Italy, 1500-1600: Third Edition (The Yale University Press Pelican Histor)

Painting in Italy, 1500-1600: Third Edition (The Yale University Press Pelican Histor)Author: S. J. Freedberg
Publisher: Yale University Press
Category: Book

List Price: $40.00
Buy New: $30.53
as of 5/26/2012 08:16 EDT details
You Save: $9.47 (24%)

In Stock


New (26) Used (47) from $1.58

Seller: Bookish Corner Net
Sales Rank: 1,183,663

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: 3
Pages: 767
Number Of Items: 1
Shipping Weight (lbs): 2.5
Dimensions (in): 8.3 x 5.9 x 1.6

ISBN: 0300055870
EAN: 9780300055870
ASIN: 0300055870

Publication Date: May 26, 1993
Availability: Usually ships in 1-2 business days



Also Available In:

  • Paperback - Painting in Italy 1500-1600 (Yale University Press Pelican History of Art Series)
  • Hardcover - Painting in Italy: 1500-1600
  • Hardcover - Painting in Italy, 1500-1600: Third Edition (The Yale University Press Pelican Histor)
  • Hardcover - Painting in Italy: 1500 To 1600 (Pelican History of Art Series)
  • Paperback - PAINTING IN ITALY 1500 TO 1600
  • Mass Market Paperback - The Pelican History of Art: Painting in Italy 1500-1600
  • Paperback - Painting in Italy, 1500-1600 (The Pelican history of art)
  • Paperback - Painting in Italy, 1500 to 1600. (The Pelican History of Art.)
  • Hardcover - Painting in Italy: 1500-1600 (Hist of Art)

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Editorial Reviews:

Product Description
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art. The fourth edition of this classic work includes colour illustrations and incorporates textual revisions and an updated bibliography.


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