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Meaning in the Visual Arts

Meaning in the Visual ArtsAuthor: Erwin Panofsky
Publisher: University Of Chicago Press
Category: Book

List Price: $32.50
Buy New: $24.36
as of 5/26/2012 05:28 EDT details
You Save: $8.14 (25%)

In Stock


New (25) Used (40) from $9.90

Seller: allnewbooks
Sales Rank: 252,899

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Pages: 364
Number Of Items: 1
Shipping Weight (lbs): 1.4
Dimensions (in): 8.9 x 5.9 x 1.1

ISBN: 0226645517
EAN: 9780226645513
ASIN: 0226645517

Publication Date: March 15, 1983
Availability: Usually ships in 1-2 business days



Also Available In:

  • Unknown Binding - Meaning in the visual arts
  • Paperback - Meaning in the Visual Arts (Anchor A59)
  • Hardcover - MEANING IN THE VISUAL ARTS.
  • Mass Market Paperback - Meaning in the Visual Arts
  • Hardcover - Meaning in the Visual Arts
  • Hardcover - Meaning in the Visual Arts: Papers in and on Art History
  • Paperback - Meaning in the Visual Arts (Peregrine Books)
  • Paperback - Meaning in the Visual Arts
  • Paperback - Meaning in the Visual Arts
  • Paperback - Meaning in the Visual Arts
  • Paperback - Meaning in the Visual Arts

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Product Description
Since its original publication, Erwin Panofsky's Meaning in the Visual Arts has been standard reading for students of art history. It is both an introduction to the study of art and, for those with more specialized interests, a profound discussion of art and life in the Middle Ages and Renaissance. Panofsky's historical technique reveals an abundance of detail, detail he skillfully relates to the life and work of individual painters and their times.

The papers in this volume represent a cross-section of Panofsky's major work. Included are selections from his well-known Studies in Iconology and The Life and Art of Albrecht Dürer, plus an introduction and an epilogue—"The History of Art as a Humanistic Discipline" and "Three Decades of Art History in the United States: Impressions of a Transplanted European"—as well as pieces written especially for this collection. All display Panofsky's vast erudition and deep commitment to a humanistic conception of art and art history.



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