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Likeness and Presence: A History of the Image before the Era of Art

Likeness and Presence: A History of the Image before the Era of ArtAuthor: Hans Belting
Creator: Edmund Jephcott
Publisher: University Of Chicago Press
Category: Book

List Price: $60.00
Buy New: $51.49
as of 5/26/2012 05:19 EDT details
You Save: $8.51 (14%)

In Stock


New (22) Used (30) from $34.48

Seller: ---SuperBookDeals
Sales Rank: 756,436

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Pages: 676
Number Of Items: 1
Shipping Weight (lbs): 2.9
Dimensions (in): 9.4 x 6.5 x 1.3

ISBN: 0226042154
EAN: 9780226042152
ASIN: 0226042154

Publication Date: January 15, 1997
Availability: Usually ships in 1-2 business days



Also Available In:

  • Unknown Binding - Likeness and Presence: A History of the Image before the Era of Art [Paperback]
  • Hardcover - Likeness and Presence: A History of the Image before the Era of Art

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Editorial Reviews:

Product Description
Before the Renaissance and Reformation, holy images were treated not as
"art" but as objects of veneration which possessed the tangible presence
of the Holy. In this magisterial book, Hans Belting traces the long
history of the sacral image and its changing role in European culture.
Likeness and Presence looks at the beliefs, superstitions, hopes,
and fears that come into play as people handle and respond to sacred
images, and presents a compelling interpretation of the place of the
image in Western history.

"A rarity within its genre—an art-historical analysis of iconography
which is itself iconoclastic. . . . One of the most intellectually
exciting and historically grounded interpretations of Christian
iconography." —Graham Howes, Times Literary Supplement

"Likeness and Presence offers the best source to survey the facts of
what European Christians put in their churches. . . . An impressively
detailed contextual analysis of medieval objects." —Robin Cormack,
New York Times Book Review

"I cannot begin to describe the richness or the imaginative grandeur of
Hans Belting's book. . . . It is a work that anyone interested in art,
or in the history of thought about art, should regard as urgent reading.
It is a tremendous achievement."—Arthur C. Danto, New Republic



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