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Bright Earth: Art and the Invention of Color

Bright Earth: Art and the Invention of ColorAuthor: Philip Ball
Publisher: University Of Chicago Press
Category: Book

List Price: $18.00
Buy New: $11.84
as of 2/11/2012 08:29 EST details
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New (25) Used (32) Collectible (1) from $6.84

Seller: SuperBookDeals-
Sales Rank: 311,629

Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: 1
Pages: 424
Number Of Items: 1
Shipping Weight (lbs): 1.4
Dimensions (in): 9 x 6 x 1.2

ISBN: 0226036286
EAN: 9780226036281
ASIN: 0226036286

Publication Date: April 15, 2003
Availability: Usually ships in 1-2 business days



Also Available In:

  • Paperback - Bright Earth: Art and the Invention of Color
  • Paperback - Bright Earth: Art and the Invention of Color, 1st (first) edition
  • Hardcover - Bright Earth: Art and the Invention of Color
  • Hardcover - Bright Earth Art and the Invention of Color
  • Paperback - Bright Earth: Art and the Invention of Color 1st (First) Edition

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Editorial Reviews:

Product Description
From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.

Finalist for the 2002 National Book Critics Circle Award.


Amazon.com Review
The making of a painting relies on inspiration, craft, practice, and vision. But, observes the noted science writer Philip Ball, it also hinges on science: "For as long as painters have fashioned their visions and dreams into images, they have relied on technical knowledge and skill to supply their materials."

In this lively study, Ball examines some of the tools and materials that chemists have added to the palette over the centuries. He also takes his readers on a learned tour of what science has taught us about vision, the nature of light, and the physical and cultural factors that condition our perceptions of color (the ancient Romans, he notes, had no term for brown or gray, but that does not mean they didn't use earth pigments in their work). Whether writing of matters scientific or artistic, Ball is a technologist but not a determinist. In the end, he writes, art depends not on science but on artists, and "each artist makes his or her own contract with the colors of the time."

Readers with an interest in science, art, and the crossroads where they meet will relish Ball's erudite travels across the spectrum of light. --Gregory McNamee


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