October 2003 Archives

During the Renaissance fresco used to be regarded as “The Mother of All Arts”. Today we understand this as a glamorous statement since the fresco is so grand and we have all these gigantic palaces and cathedrals full of frescos. But at that time the true meaning of the title was that fresco painting requires working with pure pigments and natural elements and it teaches you the understanding of color and relation with itself, understanding of composition and perspective as well as everything else needed in art. Every medium we use today comes from this "simple" pigment and water technique. Then we added other mediums to adapt to other circumstances. But true understanding of color could only come from working with the pure pigment and understanding how it relates to others.

"Discover the Art of Decorative Painting"

What is decorative painting? Is it limited to the dated look of sponged and rag rolled walls? You may be surprised to learn faux finishing has been around for centuries. In ancient Egypt, for example, artists painted the walls of tombs and sarcophagi with their limited palette of primary pigments. The Greeks also utilized decorative finishing, mostly in their temples, by painting frescos featuring faux architectural elements, marbleizing, and grisaille to name a few. During the middle ages decorative artistry consisted mainly of religious icons and scenes, in the churches and castles of that time. It was first used extensively, however, in the 17th century adorning the palaces of Europe.

There are two types of artists, those who seek to understand and those who seek to be understood. David Lay falls into the first category. In his work, he shares with us, what he sees on this quest for understanding. It is, however, a never ending journey, there is no destination. There are always, fresh bye-ways to explore. Travel with him for a while.